Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-28T00:36:50.626Z Has data issue: false hasContentIssue false

What Comes after “Post-Soviet” in Russian Studies?

Published online by Cambridge University Press:  23 October 2020

Extract

Russian studies are still in love with their fascinating and unpredictable subject, despite radically changing geopolitical realities and shifts in the academic climate. We in the field have been through something resembling the free-market shock therapy prescribed for newly non-Soviet Russia, a major shake-up in intellectual orientation and logistics. Our methodologies, perspectives, and projects are always in this sense a reflection of our present-day subject, but they are also a self-portrait, the latest in a series.

Type
The Changing Profession
Copyright
Copyright © 2009 by The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Consulted

Barker, Adele Marie, ed. Consuming Russia: Popular Culture, Sex, and Society since Gorbachev. Durham: Duke UP, 1999. Print.CrossRefGoogle Scholar
Beissinger, Mark R.The Persistence of Empire in Eurasia.” NewsNet 48.1 (2008): 18. Print.Google Scholar
Berry, Ellen E., and Epstein, Mikhail N. Transcultural Experiments: Russian and American Models of Creative Communication. New York: St. Martin's, 1999. Print.CrossRefGoogle Scholar
Bolton, Jonathan. “Writing in a Polluted Semiosphere: Everyday Life in Lotman, Foucault, and de Certeau.” Schonle 320–44.Google Scholar
Borenstein, Eliot. Men without Women: Masculinity and Revolution in Russian Fiction, 1917–1929. Durham: Duke UP, 2000.Google Scholar
Boym, Svetlana. Common Places: Mythologies of Everyday Life in Russia. Cambridge: Harvard UP, 1994. Print.CrossRefGoogle Scholar
Brooks, Jeffrey. When Russia Learned to Read: Literacy and Popular Culture, 1861–1917. Princeton: Princeton UP, 1985. Print.Google Scholar
Buckler, Julie. Mapping St. Petersburg: Imperial Text and Cityshape. Princeton: Princeton UP, 2005. Print.CrossRefGoogle Scholar
Buck-Morss, Susan. Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. Cambridge: MIT P, 2000. Print.CrossRefGoogle Scholar
Bugajski, Janusz. Cold Peace: Russia's New Imperialism. Westport: Praeger, 2004. Print.Google Scholar
Burawoy, Michael, and Verdery, Katherine. Uncertain Transition: Ethnographies of Change in the Postsocialist World. Lanham: Rowman, 1999. Print.Google Scholar
Chernetsky, Vitaly, Condee, Nancy, Ram, Harsha, and Spivak, Gayatri Chakravorty. “Are We Postcolonial? Post-Soviet Space.” “Forum: Conference Debates.” PMLA 121.3 (2006): 828–36. Print.Google Scholar
Churchill, Winston S. The Gathering Storm. Boston: Houghton, 1985. Vol. 1 of The Second World War. Google Book Search. Web. 13 Feb. 2009.Google Scholar
Ciepiela, Cathy. The Same Solitude: Boris Pasternak and Marina Tsvetaeva. Ithaca: Cornell UP, 2006. Print.CrossRefGoogle Scholar
Clark, Katerina. “Beyond the Wall, and All That: AAASS Moves toward the Twenty-First Century.” NewsNet 40.1 (2000): 18. Print.Google Scholar
Clark, Katerina. Petersburg: Crucible of Cultural Revolution. Cambridge: Harvard UP, 1995. Print.Google Scholar
Clark, Katerina. The Soviet Novel: History as Ritual. Chicago: U of Chicago P, 1981. Print.Google Scholar
Condee, Nancy. “Drowning or Waving? Some Remarks on Russian Cultural Studies.” Slavic and East European Journal 50.1 (2006): 197203. Print.CrossRefGoogle Scholar
Dobrenko, Evgeny. “The Disaster of Middlebrow Taste; or, Who ‘Invented’ Socialist Realism?” Lahusen and Dobrenko 135–64.CrossRefGoogle Scholar
Emerson, Caryl. “Literary Humility: The Case of Russia under Its Old Regimes.” Common Knowledge 8.3 (2002): 482–95. Print.Google Scholar
Emerson, Caryl. “Slavic Studies in a Post-communist, Post 9/11 World: For and against Our Remaining in the Hardcore Humanities.” Slavic and East European Journal 46.3 (2002): 449–64. Print.Google Scholar
Engelstein, Laura. The Keys to Happiness: Sex and the Search for Modernity in Fin-de-Siècle Russia. Ithaca: Cornell UP, 1992. Print.Google Scholar
Engelstein, Laura. “New Thinking about the Old Empire: Post-Soviet Reflections.” Russian Review 60 (2001): 487–96. Print.CrossRefGoogle Scholar
Engelstein, Laura. “Paradigms, Pathologies, and Other Clues to Russian Spiritual Culture: Some Post-Soviet Thoughts.” Slavic Review 57.4 (1998): 864–77. Print.Google Scholar
Epstein, Mikhail. After the Future: The Paradoxes of Postmodernism and Contemporary Russian Culture. Amherst: U of Massachusetts P, 1995. Print.Google Scholar
Epstein, Mikhail. “Postmodernism, Communism, and Sots-Art.” End-quote: Sots-Art Literature and Soviet Grand Style. Ed. Balina, Marina, Condee, Nancy, and Dobrenko, Evgeny. Evanston: Northwestern UP, 2000. 331. Print.Google Scholar
Epstein, Mikhail. “Transculture and Society.” Berry and Epstein 102–12.CrossRefGoogle Scholar
Fitzpatrick, Sheila. Everyday Stalinism: Ordinary Life in Extraordinary Times: Soviet Russia in the 1930s. New York: Oxford UP, 1999. Print.Google Scholar
Gheith, Jehanne M. Finding the Middle Ground: Krestovskii, Tur, and the Power of Ambivalence in Nineteenth-Century Russian Women's Prose. Evanston: Northwestern UP, 2004. Print.CrossRefGoogle Scholar
Gorham, Michael S. Speaking in Soviet Tongues: Language Culture and the Politics of Voice in Revolutionary Russia. DeKalb: Northern Illinois UP, 2003. Print.Google Scholar
Goscilo, Helena. Introduction. “Resent, Reassess, and Reinvent: The Three R's of Post-Soviet Cinema.” Slavic and East European Journal 51.2 (2007): 213–28. Print.Google Scholar
Groys, Boris. “A Style and a Half: Socialist Realism between Modernism and Postmodernism.” Lahusen and Dobrenko 7690.CrossRefGoogle Scholar
Groys, Boris. The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond. Trans. Charles Rougle. Princeton: Princeton UP, 1992. Print.Google Scholar
Halfin, Igal. Terror in My Soul: Communist Autobiographies on Trial. Cambridge: Harvard UP, 2003. Print.Google Scholar
Hanson, Stephen E., and Ruble, Blair A.Rebuilding Russian Studies.” Problems of Post-communism 52.3 (2005): 4957. Print.CrossRefGoogle Scholar
Hellbeck, Jochen. Revolution on My Mind: Writing a Diary under Stalin. Cambridge: Harvard UP, 2006. Print.CrossRefGoogle Scholar
Hirsch, Francine. Empire of Nations: Ethnographic Knowledge and the Making of the Soviet Union. Ithaca: Cornell UP, 2005. Print.Google Scholar
Holquist, Michael. “Corrupt Originals: The Paradox of Censorship.” Introduction. Literature and Censorship. Spec. issue of PMLA 109.1 (1994): 1425. Print.Google Scholar
Kappeler, Andreas. The Russian Empire: A Multiethnic History. Trans. Alfred Clayton. New York: Longman, 2001. Print.Google Scholar
Kelly, Catriona. Russian Literature: A Very Short Introduction. Oxford: Oxford UP, 2001. Print.CrossRefGoogle Scholar
Kemp-Welch, A. Stalin and the Literary Intelligentsia, 1928–39. Basingstoke: Macmillan, 1991. Print.CrossRefGoogle Scholar
Christina, Kiaer, and Naiman, Eric. Everyday Life in Early Soviet Russia: Taking the Revolution Inside. Bloomington: Indiana UP, 2006. Print.Google Scholar
Komaromi, Ann. “The Material Existence of Soviet Samizdat.” Slavic Review 63.3 (2004): 597618. Print.CrossRefGoogle Scholar
Komaromi, Ann. “The Unofficial Field of Late Soviet Culture.” Slavic Review 66.4 (2007): 605–29. Print.Google Scholar
Kotkin, Stephen. Magnetic Mountain: Stalinism as a Civilization. Berkeley: U of California P, 1995. Print.Google Scholar
Kujundzic, Dragan. “The Future of Slavic Studies.” AATSEEL Newsletter 45.2 (2002): 56. Print.Google Scholar
Thomas, Lahusen, and Dobrenko, Evgeny, eds. Socialist Realism without Shores. Durham: Duke UP, 1997. Print.Google Scholar
Larsen, Susan. “Melodramatic Masculinity, National Identity, and the Stalinist Past in Post-Soviet Cinema.” Studies in 20th-Century Literature 24.1 (2000): 85120. Print.Google Scholar
Larsen, Susan. “National Identity, Cultural Authority, and the Post-Soviet Blockbuster: Nikita Mikhalkov and Aleksei Balabanov.” Slavic Review 62.3 (2003): 491511. Print.CrossRefGoogle Scholar
Lotman, Iurii M., and Uspensky, Boris A.Binary Models in the Dynamics of Russian Culture (to the End of the Eighteenth Century).” The Semiotics of Russian Cultural History. Ed. Nakhimovsky, Alexander D. and Nakhimovsky, Alice Stone. Ithaca: Cornell UP, 1985. 3133. Print.Google Scholar
Lovell, Stephen. The Russian Reading Revolution: Print Culture in the Soviet and Post-Soviet Eras. New York: St. Martin's, 2000. Print.CrossRefGoogle Scholar
MacKay, John. Inscription and Modernity: From Wordsworth to Mandelstam. Bloomington: Indiana UP, 2006. Print.Google Scholar
Malia, Martin. “The Russian Riddle.” Introduction. Russia under Western Eyes: From the Bronze Horseman to the Lenin Mausoleum. Cambridge: Harvard UP, 1999. 114. Print.Google Scholar
Marks, Steven G. How Russia Shaped the Modern World: From Art to Anti-Semitism, Ballet to Bolshevism. Princeton: Princeton UP, 2003. Print.Google Scholar
McDaniel, Tim. The Agony of the Russian Idea. Princeton: Princeton UP, 1996. Print.CrossRefGoogle Scholar
McReynolds, Louise. Russia at Play: Leisure Activities at the End of the Tsarist Era. Ithaca: Cornell UP, 2003. Print.Google Scholar
Moore, David Chioni. “Is the Post- in Postcolonial the Post- in Post-Soviet? Toward a Global Postcolonial Critique.” PMLA 116.1 (2001): 111–28. Print.Google Scholar
Naiman, Eric. Sex in Public: The Incarnation of Early Soviet Ideology. Princeton: Princeton UP, 1997. Print.Google Scholar
Nepomnyashchy, Catherine Theimer, Svobodny, Nicole, and Trigos, Ludmilla A., eds. Under the Sky of My Africa: Alexander Pushkin and Blackness. Evanston: Northwestern UP, 2006. Print.CrossRefGoogle Scholar
Olcott, Anthony. Russian Pulp: The Detektiv and the Russian Way of Crime. Lanham: Rowman, 2001. Print.Google Scholar
Oushakine, Serguei. “In the State of Post-Soviet Aphasia: Symbolic Development in Contemporary Russia.” Europe-Asia Studies 52.5 (2000): 9911016. Print.CrossRefGoogle Scholar
Oushakine, Serguei. “The Quantity of Style: Imaginary Consumption in the New Russia.” Theory, Culture, and Society 17.5 (2000): 97120. Print.CrossRefGoogle Scholar
Oushakine, Serguei. “The Terrifying Mimicry of Samizdat.” Public Culture 13.2 (2001): 191214. Print.CrossRefGoogle Scholar
Paperny, Vladimir. Architecture in the Age of Stalin: Culture Two. Trans. John Hill and Roann Barris. Cambridge: Cambridge UP, 2002. Print.Google Scholar
Parthé, Kathleen F. Russia's Dangerous Texts: Politics between the Lines. New Haven: Yale UP, 2004. Print.CrossRefGoogle Scholar
Peterson, Dale E. Up from Bondage: The Literatures of Russian and African American Soul. Durham: Duke UP, 2000. Print.Google Scholar
Petrone, Karen. Life Has Become More Joyous, Comrades: Celebrations in the Time of Stalin. Bloomington: Indiana UP, 2000. Print.Google Scholar
Platt, Kevin M. F.Will the Study of Russian Literature Survive the Coming Century? A Provocation.” Slavic and East European Journal 50.1 (2006): 204–12. Print.Google Scholar
Platt, Kevin M. F., and Brandenberger, David, eds. Epic Revisionism: Russian History and Literature as Stalinist Propaganda. Madison: U of Wisconsin P, 2006. Print.Google Scholar
Poe, Marshall T. The Russian Moment in World History. Princeton: Princeton UP, 2003. Print.CrossRefGoogle Scholar
Ram, Harsha. “Between 1917 and 1947: Postcoloniality and Russia-Eurasia.” “Forum: Conference Debates.” PMLA 121.3 (1996): 831–33. Print.Google Scholar
Ries, Nancy. “Anthropology and Eurasia: Why Culture Matters in the Study of Postsocialism.” NewsNet 45.4 (2005): 15. Print.Google Scholar
Safran, Gabriella. Rewriting the Jew: Assimilation Narratives in the Russian Empire. Stanford: Stanford UP, 2000. Print.Google Scholar
Sandler, Stephanie. Commemorating Pushkin: Russia's Myth of a National Poet. Stanford: Stanford UP, 2004. Print.Google Scholar
Sandler, Stephanie. Introduction. Rereading Russian Poetry. Ed. Sandler, . New Haven: Yale UP, 1999. 127. Print.Google Scholar
Schenker, Alexander M.What's in a Name? The Linguistic and Cultural Boundaries of AATSEEL.” Slavic and East European Journal 50.1 (2006): 311. Print.CrossRefGoogle Scholar
Schönle, Andreas, ed. Lotman and Cultural Studies: Encounters and Extensions. Madison: U of Wisconsin P, 2006. Print.Google Scholar
Schönle, Andreas, and Introduction, Jeremy Shine. Lotman and Cultural Studies: Encounters and Extensions. Schonle 335.Google Scholar
Slezkine, Yuri. “The USSR as a Communal Apartment; or, How a Socialist State Promoted Ethnic Particularism.” Slavic Review 53.2 (1994): 414–52. Print.Google Scholar
Solzhenitsyn, Aleksander. The First Circle. Trans. Thomas P. Whitney. New York: Harper, 1968. Print.Google Scholar
Steiner, Peter. “Slavic Literary Studies Yesterday and Tomorrow.” Profession (1987): 29. Print.Google Scholar
Stites, Richard, ed. Culture and Entertainment in Wartime Russia. Bloomington: Indiana UP, 1995. Print.Google Scholar
Stites, Richard, ed. Russian Popular Culture: Entertainment and Society since 1900. Cambridge: Cambridge UP, 1992. Print.Google Scholar
Strukov, Vladimir. “The Return of Gods: Andrei Zviagintsev's Vozvrashchenie (The Return).” “Resent, Reassess, and Reinvent: The Three R's of Post-Soviet Cinema.” Slavic and East European Journal 51.2 (2007): 331–56. Print.Google Scholar
Thompson, Ewa M. Imperial Knowledge: Russian Literature and Colonialism. Westport: Greenwood, 2000. Print.Google Scholar
Todd, William Mills III. “On the Care and Development of ‘Home-Grown Disciplines.‘Slavic and East European Journal 51.1 (2007): 115. Print.Google Scholar
Todd, William Mills IIIRussian Literature: Projects for the Future.” Stanford Humanities Review 6.1 (1998): 2640. Print.Google Scholar
Todorova, Maria. Imagining the Balkans. New York: Oxford UP, 1997. Print.Google Scholar
Verdery, Katherine. “What's in a Name, and Should We Change Ours?NewsNet 46.2 (2006): 14. Print.Google Scholar
von Hagen, Mark. “Empires, Borderlands, and Diasporas: Eurasia as Anti-paradigm for the Post-Soviet Era.” American Historical Review 109.2 (2004): 445–68. Print.Google Scholar
Wachtel, Andrew Baruch. Remaining Relevant after Communism: The Role of the Writer in Eastern Europe. Chicago: U of Chicago P, 2006. Print.Google Scholar
Wolff, Larry. Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment. Stanford: Stanford UP, 1994. Print.Google Scholar
Yurchak, Alexei. Everything Was Forever, until It Was No More: The Last Soviet Generation. Princeton: Princeton UP, 2006. Print.Google Scholar