Hostname: page-component-8448b6f56d-tj2md Total loading time: 0 Render date: 2024-04-18T12:15:13.769Z Has data issue: false hasContentIssue false

Feeling Shadows: Virginia Woolf's Sensuous Pedagogy

Published online by Cambridge University Press:  23 October 2020

Abstract

Virginia Woolf's “A Sketch of the Past” (1939–40) develops her most radical ontological and pedagogical insights, which are inseparably connected by her concept “moments of being”—redefined in this essay as pedagogical accidents. This redefinition opens readers to an unexplored dimension of Woolf's late thought: namely, the reorientation of learning and teaching around the creative function of accidents, the unhinged temporality of “sudden violent shock[s]” that repeat their difference across one's lifespan, and the prioritization of feeling. The nonlinear, nonrealist, and nonsequential temporality of these events serves Woolf as a model not only for the memoir but for the double task of learning how to write her life otherwise and of teaching her potential readers the shapes and intensities of their own selves and lives. My reading of Woolf's memoir as a work of “sensuous pedagogy” attempts to account for the importance of feeling to this task.

Type
Research Article
Copyright
Copyright © Modern Language Association of America, 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Anderson, Linda. Women and Autobiography in the Twentieth Century: Remembered Futures. Prentice Hall, 1996.Google Scholar
Beer, Gillian. Virginia Woolf: The Common Ground. U of Michigan P, 1996.Google Scholar
Butler, Judith. Frames of War: When Is Life Grievable? Verso, 2010.Google Scholar
Caramagno, Thomas C. The Flight of the Mind: Virginia Woolf's Art and Manic-Depressive Illness. U of California P, 1992.Google Scholar
Channing, Jill. “What Would Virginia Woolf Do? Woolf and Social Justice in the Community College Classroom.” Detloff, Woolf, pp. 1113.Google Scholar
Cuddy-Keane, Melba. Virginia Woolf, the Intellectual, and the Public Sphere. Cambridge UP, 2003.CrossRefGoogle Scholar
Daugherty, Beth Rigel. “Teaching Woolf / Woolf Teaching.” Woolf Studies Annual, vol. 10, 2004, pp. 275307.Google Scholar
Daugherty, Beth Rigel. “‘They Have Loved Reading’: Mrs. Dalloway and Lifelong Common Readers.” Approaches to Teaching Woolf's Mrs. Dalloway, edited by Eileen Barrett and Ruth O. Saxton, MLA, 2009, pp. 112–17.Google Scholar
Daugherty, Beth Rigel. “Virginia Woolf Teaching / Virginia Woolf Learning: Morley College and the Common Reader.” New Essays on Virginia Woolf, edited by Wussow, Helen, Contemporary Research Press, 1995, pp. 6178.Google Scholar
Deleuze, Gilles. Difference and Repetition. 1968. Translated by Paul Patton, Columbia UP, 1994.Google Scholar
Deleuze, Gilles. Proust and Signs. 1964, rev. ed. 1972. Translated by Richard Howard, U of Minnesota P, 2000.Google Scholar
Detloff, Madelyn. “Intellectual Liberty under Pressure to Institutionalize Knowledge.” Detloff, Woolf, pp. 12.Google Scholar
Detloff, Madelyn, editor. Woolf and Pedagogy. Special issue of Virginia Woolf Miscellany, vol. 78, 2008.Google Scholar
Froula, Christine. Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity. Columbia UP, 2005.Google Scholar
Gough, Val. “‘That Razor Edge of Balance’: Virginia Woolf and Mysticism.” Woolf Studies Annual, vol. 5, 1999, pp. 5777.Google Scholar
Hagen, Benjamin D.It Is Almost Impossible That I Should Be Here: Wordsworthian Nature and an Ethics of Self-Writing in Virginia Woolf's ‘A Sketch of the Past.‘Virginia Woolf Miscellany, vol. 78, 2010, pp. 1315.Google Scholar
Hussey, Mark. Virginia Woolf A to Z. Oxford UP, 1995.Google Scholar
Lilienfeld, Jane. “Versioning, Audience, and Performative Editing: Woolf, Composition Theory, and Freshman Composition.” Detloff, Woolf, pp. 1921.Google Scholar
Mattison, Laci. “Virginia Woolf's Ethical Subjectivity: Deleuze and Guattari's Worlding and Bernard's ‘Becoming- Savage.‘Deleuze Studies, vol. 7, no. 4, 2013, pp. 562–80.CrossRefGoogle Scholar
McIntire, Gabrielle. Modernism, Memory, and Desire: T. S. Eliot and Virginia Woolf. Cambridge UP, 2008.CrossRefGoogle Scholar
Olson, Liesl. Modernism and the Ordinary. Oxford UP, 2009.CrossRefGoogle Scholar
Parkes, Adam. A Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing. Oxford UP, 2011.CrossRefGoogle Scholar
Parsons, Deborah. Theorists of the Modernist Novel: James Joyce, Dorothy Richardson, Virginia Woolf. Routledge, 2007.Google Scholar
Richter, Harvena. Virginia Woolf: The Inward Voyage. Princeton UP, 1970.Google Scholar
Semetsky, Inna. Deleuze, Education and Becoming. Sense Publishers, 2006.CrossRefGoogle Scholar
Sim, Lorraine. Virginia Woolf: The Patterns of Ordinary Experience. Ashgate, 2010.Google Scholar
Simpson, Kathryn. Gifts, Markets and Economies of Desire in Virginia Woolf. Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Smart, Nick. “I, Bernard: Notes from the Feminist Classroom.” Detloff, Woolf, pp. 2527.Google Scholar
Taylor, Rod C.Narrow Gates and Restricted Paths: The Critical Pedagogy of Virginia Woolf.” Woolf Studies Annual, vol. 20, 2014, pp. 5481.Google Scholar
Woolf, Virginia. “How Should One Read a Book?The Essays of Virginia Woolf: 1929–1932, edited by Clarke, Stuart N., Houghton Mifflin Harcourt, 2009, pp. 572–93. Vol. 5 of The Essays of Virginia Woolf.Google Scholar
Woolf, Virginia. The Pargiters. edited by Leaska, Mitchell A., Harcourt Brace Jovanovich, 1977.Google Scholar
Woolf, Virginia. “Report on Teaching at Morley College.” Virginia Woolf: A Biography, by Bell, Quentin, Harcourt Brace Jovanovich, 1972, pp. 209–11.Google Scholar
Woolf, Virginia. Roger Fry: A Biography. 1940. Harcourt Brace Jovanovich, 1968.Google Scholar
Woolf, Virginia. “A Sketch of the Past.” Moments of Being: A Collection of Autobiographical Writings. edited by Schulkind, Jeanne, 2nd ed., Harcourt, 1985, pp. 64159.Google Scholar
Woolf, Virginia. “Thoughts on Peace in an Air Raid.” The Essays of Virginia Woolf: 1933–1941, edited by Clarke, Stuart N., Hogarth Press, 2011, pp. 242–48. Vol. 6 of The Essays of Virginia Woolf.Google Scholar
Yoshida, Erika. “‘The Leaning Tower’: Woolf's Pedagogical Goal of the Lecture to the W.E.A. under the Threat of War.” Virginia Woolf: Art, Education, and Internationalism: Selected Papers from the Seventeenth Annual Conference on Virginia Woolf, edited by Royer, Diana and Detloff, Madelyn, Clemson U Digital P, 2008, pp. 3339.Google Scholar
Zembylas, Michalinos. “Risks and Pleasures: A Deleuzo-Guattarian Pedagogy of Desire in Education.” British Educational Research Journal, vol. 33, no. 3, 2007, pp. 331–47.CrossRefGoogle Scholar
Zwerdling, Alex. “Mastering the Memoir: Woolf and the Family Legacy.” Modernism/Modernity, vol. 10, no. 1, 2003, pp. 165–88.CrossRefGoogle Scholar