Hostname: page-component-76fb5796d-dfsvx Total loading time: 0 Render date: 2024-04-25T22:15:48.286Z Has data issue: false hasContentIssue false

The 1872 Introduction to Hovedstr⊘mninger i det 19de Aarhundredes Litteratur (Main Currents of Nineteenth-Century Literature)

Published online by Cambridge University Press:  23 October 2020

Extract

From Comparative Literature to Cultural Renewal: Georg Brandes's 1872 Introduction to Main Currents of Nineteenth-Century Literature

“The only literature that is alive today is one that provokes debate.” These words ring out in the first published version of a lecture Georg Brandes gave at the University of Copenhagen on 3 November 1871. The lecture was the introduction to a series that changed the course not only of his life but also of Scandinavian and European cultural history. Born in Copenhagen in 1842 to assimilated Jewish parents, Brandes had recently completed a dissertation on French aesthetics and literary criticism and hoped that his lecture series would allow him to replace Carsten Hauch as professor of aesthetics at the university. Brilliant and iconoclastic, the lectures also responded to the Danish defeat in the 1864 war with Prussia, portraying Danish literature and culture as morbidly inward and insular. Brandes urged his countrymen to look abroad, to traditions such as the French, whose literature included many notable writers who grappled with social and political issues, especially those who came of age during the revolutions of 1789 and 1830.

Type
Criticism in Translation
Copyright
Copyright © 2017 The Modern Language Association of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Allen, Julie K. Icons of Danish Modernity: Georg Brandes and Asta Nielsen. U of Washington P / Museum Tusculanum Press, 2012.Google Scholar
Brandes, Georg. Det moderne Gjennembruds Mænd: En Række Portræter [The Men of the Modern Breakthrough: A Series of Portraits]. Gyldendal, 1883.Google Scholar
Brandes, Georg. Introduction. Hovedstr⊘mninger i det 19de Aarhundredes Litteratur: Forelæsninger holdte ved Kj⊘benhavns Universitet i Efteraarshalvaaret 1871: Emigrantlitteraturen, Gyldendal, 1872, pp. 728.Google Scholar
Brandes, Georg. Introduction. Main Currents in Nineteenth Century Literature, William Heinemann, 1901, pp. vii-x.Google Scholar
Brandes, Georg. “World Literature (1899).” The Princeton Sourcebook in Comparative Literature: From the European Enlightenment to the Global Present, edited by Damrosch, David et al., Princeton UP, 2009, pp. 6166.Google Scholar
Houe, Paul. “Georg Brandes (1842–1927).” The Nineteenth Century, c. 1830–1914, edited by Habib, M. A. R., Cambridge UP, 2013, pp. 464–78. Vol. 6 of The Cambridge History of Literary Criticism.Google Scholar
Knudsen, J⊘rgen. Georg Brandes. Gyldendal, 1985–2004. 5.vols.Google Scholar
Larsen, Svend Erik. “Georg Brandes: The Telescope of Comparative Literature.” The Routledge Companion to World Literature, edited by d'Haen, Theo et al., Routledge, 2011, pp. 2131.Google Scholar
Nolin, Bertil. Den gode europén. Studier i Georg Brandes idéutveckling 1871–1893 med speciell hänsyn till hans förhållande till tysk, engelsk, slavisk och fransk litteratur [The Good European: Studies in Georg Brandes's Intellectual Development, 1871–1893, with Emphasis on His Relationship to German, English, Slavic, and French Literature]. Svensk bokförlaget, 1965.Google Scholar
Nolin, Bertil. Georg Brandes. Twayne, 1976.Google Scholar
Wellek, René.The Lonely Dane: Georg Brandes.” The Later Nineteenth Century, Yale UP, 1965, pp. 357–69. Vol. 4 of A History of Modern Criticism.Google Scholar